Janet Morris (25 May 1946 – 10 August 2024) was a military fantasy writer most known for blending history, ancient mythologies, and science fiction into secondworlds. With a publication career spanning over 35 years, Morris is known for works such as the Silista quartet, and The Sacred Band of Stepsons saga, written with husband Chris […]
by Austin Conrad Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Tabletop role-playing games (TTRPGs) are built from basically two elements: game mechanics and narrative. Unlike video games, TTRPGs strongly focus on collaborative narrative between the players and the gamemaster at the table. Playtesting the narrative […]
by Marie Vibbert Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Every three months, the Cleveland Game Developers host a Play Test Night for our members. Last time, I got to play a card game. It drove home the crucial differences between video games and physical […]
by Will McDermott Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Writing narrative content for board games is different from any other writing I’ve ever done. It’s even different than writing for video games or role-playing games. The reason is simple: length. Novel and short story […]
A quark (/kwɔːrk, kwɑːrk/) is a type of elementary particle and a fundamental constituent of matter. In an effort to maintain transparency and foster communications with all members of the SFF community and the public, SFWA would like to introduce Quark, a monthly digest which will give quick updates on what’s been happening within the […]
by Emily Jiang AN INTRODUCTION OF SORTS: To Boldly Go Where I Have Never Gone Before “We often fear what we do not understand. Our best defense is knowledge.” –Tuvok Over 15 years ago, when I enrolled in an MFA program for Creative Writing, I had no idea what social justice was. Around that time, […]
Welcome to the September edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by John Dale Beety Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. In science fiction and fantasy (SFF) terms, game writing is exactly what it sounds like: writing for games. Calling oneself a game writer, however, is akin to declaring oneself a scientist. Divisions within game […]
by Jeff Reynolds A game we authors enjoy is “discuss how the short story market used to pay so well you could make a living from it.” When the topic appeared again recently, I wondered: Is there any truth to this view? Did writers of the past make a living selling nothing but short fiction? […]
by Misha Grifka Wander When I teach video game analysis to college students, I sometimes tell them that they’re going to make their own games—and their eyes glaze over in panic, thinking of the intense production requirements of a video game: music, voice acting, animation, design, and so on. If you’ve ever been curious about […]
They are the last survivors of the settlers of the moon Sturnus, forty children rescued by the benevolent people of the planet Janus. Except Bear is starting to remember, and what he remembers is nothing like what he and the others have been told.
L. Marie Wood creates immersive worlds that defy genre as they intersect horror, romance, mystery, thriller, sci-fi, and fantasy elements to weave harrowing tapestries of speculative fiction. Wood is a Professor of English and Creative Writing.
