by Marie Croke Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. As speculative fiction authors, we twist and remake reality. Yet, when it comes to retelling events or using fiction to manipulate a […]
On 10/27/2024, the Board met to discuss multiple ethics complaints regarding Director-at-Large Oghenechovwe Donald Ekpeki after hearing statements from various parties involved. Mr. Ekpeki was also given a chance to speak to the Board regarding these complaints. After due consideration, and in compliance with Article V(5)(iii) of the SFWA Bylaws, the Board voted unanimously to […]
by Anneke Schwob Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. I’ve spent a lot of time in archives and special collections: parsing handwritten letters, transcribing diaries, puzzling over telegraphs and radio transmissions. […]
by Austin Conrad Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Online media is my preferred starting point when seeking historical inspiration for my game writing—especially my recent fixation on King Arthur. If […]
by Eugen Bacon Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. You have a novel, a novella, a short story in your head—you just need to write it. The muse is humming, […]
Welcome to the October edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Nisi Shawl, Somto Ihezue, and Zhui Ning Chang We’re in this together. That’s what publishing has taught me over the course of decades. That’s what this project, Publishing Taught Me, continues to teach me and all my friends. You, too. All my friends; all my relations. Publishing is a community endeavor. If we analogize […]
by John Ryan Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. When you hear about narrative in video games, positions such as writers and narrative designers might be the first roles you’ll think of. What people don’t think about is one of the most important roles […]
Janet Morris (25 May 1946 – 10 August 2024) was a military fantasy writer most known for blending history, ancient mythologies, and science fiction into secondworlds. With a publication career spanning over 35 years, Morris is known for works such as the Silista quartet, and The Sacred Band of Stepsons saga, written with husband Chris […]
by Austin Conrad Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Tabletop role-playing games (TTRPGs) are built from basically two elements: game mechanics and narrative. Unlike video games, TTRPGs strongly focus on collaborative narrative between the players and the gamemaster at the table. Playtesting the narrative […]
From the cosmic to the ghostly, A Prisoner of Dreamland and Other Oneiric Terrors presents fourteen tales that take the reader on a tour de force journey through the twilight kingdom of dreams.
Auston Habershaw is a science fiction and fantasy author, writing about the could-be and never-was, and also teaches composition and literature at MCPHS University in Boston, MA.
