by Kim Fielding Until fairly recently, it was impractical for most self-published authors to produce audiobooks. Now, however, almost anyone can easily produce a high-quality one. This is good news, because audio constitutes a significant—and profitable—portion of the publishing market. According to IBISWorld, the audio market grew 8.1% between 2017 and 2022, and is now […]
Welcome to the May edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Space Fantasy Magazine Worlds of Possibility (Upcoming) […]
By Lorraine Wilson Statistics are easy to quote, but difficult to connect to, don’t you think? It’s easy to say that 20% of people in the UK are disabled, but within publishing we account for only 5%. To say migraines are, according to the World Health Organization, the sixth highest cause of “Years Lost to […]
Please consult the guidance that follows from the Authors Guild, one of SFWA’s sister organizations, on a significant United States tax-reporting change that many independent authors have shared concerns about since January 1. That’s when Audible/ACX changed their tax-reporting practices for royalties from audiobook productions, by including royalties for both authors and their audiobook narrators […]
by Claire Davon I blame my reading habits on Dragonflight. I’ve been a reader all my life, fueled by a wide collection of available books in the family home, coupled with repeated visits to the library. Though I started with the Nancy Drew series and mysteries, once I discovered science fiction and fantasy, I pivoted. […]
By Kathy Flann We think of humor as something that just … happens. Yet, as someone who writes both humor and fiction, I’ve learned that each is a distinct craft with challenges that can multiply when combined—not unlike when Ray, Peter, Winston, and Egon cross the streams in Ghostbusters, risking total protonic reversal. Okay, maybe […]
By Nicole Valentine Note: This blog post is not an endorsement by SFWA of the products discussed within it. If you’re anything like me, the pandemic has cut into your ability to focus and write. It’s also changed the way we come together as a community. We’ve celebrated our Nebula Awards online twice now, and […]
Welcome to the April edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Bioluminescent: A Lunarpunk Anthology riddlebird Southeast Asian […]
By Renan Bernardo In the second century A.D., Lucian of Samosata wrote A True Story, a tale of space trips and alien life-forms. His first language was Syriac, but to reach the people of Athens, he wrote the tale in Attic Greek. Since then (and probably before), speculative fiction has been written by exophonic(1) writers […]
Bill Johnson (October 4, 1956–March 17, 2022) began publishing science fiction in 1977 with the story “Stormfall,” which appeared in Kate Wilhelm’s anthology Clarion SF. Over the years, he published around 30 stories. His 1997 story “We Will Drink a Fish Together” earned him the Hugo Award for Best Novelette and an Asimov’s Readers’ Poll […]
Arthur has conquered the first floor of the Tower and with a new ally, he’s got a real chance of building his Clan. The problem is, their alliance hinges on one factor: speed. Survival is no longer the only goal—it’s a speed run to the top.
