Science Fiction and Fantasy Writers of America announces the nominees for the 2012 Nebula Awards (presented 2013), nominees for the Ray Bradbury Award for Outstanding Dramatic Presentation, and nominees for the Andre Norton Award for Young Adult Science Fiction and Fantasy.
Recently I received a question about an apparently new Christian publisher, Blessed Hope Publishing. The writer who contacted me was suspicious because Blessed Hope had not only solicited his manuscript, but had accepted it within a matter of days.
Cat Rambo’s latest book is NEAR+FAR, a collection of short SF stories from Seattle-based Hydra House Books.
A short story is like a pie because, first, you can do one relatively quickly. Second, everyone likes pie.
Third, with both short stories and pie, you can use the finest ingredients in the world and still come up with an inedible mess.
Kayla, a Genetically Engineered Non-human slave, sets aside freedom & the right to love a trueborn when a deadly virus starts killing GENs.
India is a vast book market, and print is still king. So it only makes sense that Penguin (whose parent company, Pearson, acquired self-publishing giant Author Solutions Inc. last year) has just announced the expansion of ASI into India via its new “imprint,” Partridge.
If you’re selling books on Amazon, you’ll want to set up your page in their Author Central program. Use your Author Central page to provide more information for your readers: upcoming events, a full listing of your books, pictures and videos, and even excerpts from your blog.
Writers are sometimes confused by the “registration” requirement under the US copyright laws. In this post, I hope to clear up the concept and help you decide whether copyright registration makes sense for you.
On February 23rd, at 8PM, the Baltimore Science Fiction Society, located at 3310 East Baltimore Street, Baltimore, MD 21224, will host Scott H. Andrews (Beneath Ceaseless Skies), Damien Walters Grintalis (Electric Velocipede), Rahul Kanakia (formerly of Strange Horizons), Leslie Connors (Apex Magazine) and moderator Sarah Pinsker (published in multiple magazines) for a round table discussion titled, “From Slush to Sale: Behind the Scenes at Science Fiction Magazines.”
The issue of orphan works–out of print, still-in-copyright books, films, photographs, etc. whose rightsholders can’t be found–is one that has been much in the news over the past few years.
Concern over a potential monopoly on orphan works was a major component of the criticism of the now-defunct Google Book Settlement, which sought to resolve authors’ and publishers’ objections to Google’s unauthorized scanning of in-copyright books.
Set in NYC and a fictional feudal planet, this novel tempts the feral temperament of Internet connoisseurs with a lubricious story that puts the R back into romance. Alas, an AI’s effort to participate here flashes like a horror show throughout.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
